“Objectivists” 1927-1934 Contents

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______. Inscriptions: 1944-1956. New York: Charles Reznikoff, 1959.

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______. Interview with Janet Sternburg and Alan Ziegler. Montemora, 2 (Summer 1976), 113-121.

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______. The Manner Music. Intro. Robert Creeley. Santa Barbara Black Sparrow Press, 1977.

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______. Nine Plays. New York: Charles Reznikoff, 1927.

______. Poems. New York: Samuel Roth 1920.

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______. “Rashi.” An “Objectivists” Anthology, pp. 87-91.

______. Rhythms. Brooklyn, NY: De Vinne Press, 1918.

______. Rhythms II. Brooklyn, NY: De Vinne Press, 1919.

______. Separate Way. New York: The Objectivist Press, 1936.

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______. Testimony. New York: The Objectivist Press, 1934.

______. Uriel Accosta: A Play and A Fourth Group of Verse. New York: Charles Reznikoff, 1921.

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______, trans. Le Style Apollinaire. By Louis Zukofsky. Paris: Les Presses Modernes, 1934.

______. “Three Poems by André Salmon: I.” Trans. Louis Zukofsky. Poetry (February 1931), 289-293.

______. “Three Poems by André Salmon: II.” Trans. Louis Zukofsky. Poetry (March 1931), 333-339.

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______. The Shadow of an Airplane Climbs the Emgire State Building: A World Theory of Film. Garden City, NY: Doubleday, 1972.

______, and Charles Henri Ford. “Symposium.” Poetry (February 1931), 285-288.

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Wheelwright, John. “Slow Curtain.” Poetry (February 1931), 263.

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______. The Autobiography. New York: New Directions, 1967.

______. “The Avenue of Poplars.” An “Objectivists” Anthology, pp. 179-180.

______. “Belly Music.” Others, Supplement (July 1919), pp. 25-32.

______. “The Botticellian Trees.” Poetry (February 1931), 266-267. In Profile, pp. 128-129.

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______. The Embodiment of Knowledge. Ed. Ron Loewinsohn. New York: New Directions, 1974.

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______. “Full Moon.” An “Objectivists” Anthology, p. 182.

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______. I Wanted to Write a Poem: The Autobiography of the Works of a Poet. Ed. Edith Heal. Boston: Beacon Press, 1958.

______. “The Jungle.” An “Objectivists” Anthology, p. 173.

______. “Kenneth Burke.” Dial, 86, 1 (January 1929), 6-7.

______. Letter to Richard Johns. 30 December 1931. A Return to Pagany, p. 372.

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______. Letter to Zukofsky. 7 February 1929. Yale. The Correspondence, pp. 28-29.

______. Letter to Zukofsky. 4 March 1929. Yale. The Correspondence, pp. 30-31.

______. Letter to Zukofsky. 23 August 1929. The Poetry/Rare Books Collection of the University Libraries, State University of New York at Buffalo. The Correspondence, p. 34.

______. Letter to Zukofsky. 24 October 1929. Yale. The Correspondence, p. 45.

______. Letter to Zukofsky. 3 November 1929. Yale. The Correspondence, p. 47.

______. Letter to Zukofsky. 14 November 1929. Yale. The Correspondence, p. 47.

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______. Letter to Zukofsky. 27 January 1930. Yale. The Correspondence, p. 58.

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______. Letter to Zukofsky. 3 April 1930. Yale. The Correspondence, p. 62.

______. Letter to Zukofsky. Friday, April 1930. The Correspondence, p. 63. Yale.

______. Letter to Zukofsky. 2 February 1931. Humanities Research Center, University of Texas at Austin. The Correspondence, p. 79.

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______. Letter to Zukofsky. 8 December 1931. Yale. The Correspondence, p. 116.

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______. Letter to Zukofsky. 24 May 1933. Yale. The Correspondence, p. 158.

______. Letter to Zukofsky. 26 November 1933. Humanities Research Center, University of Texas at Austin. The Correspondence, p. 171.

______. Letter to Zukofsky, 1 June 1934. Yale. The Correspondence, p. 186.

______, and Louis Zukofsky. “March.” An “Objectivists” Anthology, pp. 196-200.

______. “The New Poetical Economy.” Rev. Discrete Series. By George Oppen . Poetry, 44, 4 (July 1934), 220-225. In George Oppen: Man and Poet. ed. Burton Hatlin. Orono, ME: National Poetry Foundation, 1981, pp. 267-270.

______. A Novelette and Other Prose 1921-1931. Toulon, France: To Publishers, 1932. In Imaginations, pp. 272-363.

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______. “I. [‘I make very little money’]; II. [‘It is a living coral’]; III. This Florida: 1924; IV. Down-Town; V. [‘On hot days’]; VI. [‘The pure products of America’]; VII. A Morning Imagination of Russia.” An “Objectivists” Anthology, pp. 98-111.

______. “On Gay Wallpaper.” An “Objectivists” Anthology, pp. 173-174.

______. “Paterson.” Collected Earlier Poems. Norfolk, CT: New Directions, 1951, pp. 233-235.

______. “Portrait of a Lady.” An “Objectivists” Anthology, p. 181.

______. A Recognizable Image: William Carlos Williams on Art and Artists. Ed. Bram Dijkstra. New York: New Directions, 1978.

______. “The Red Lily.” An “Objectivists” Anthology, pp. 177-178.

______. Rev. An “Objectivists” Anthology. Symposium, 4, 1 (January 1933), 114-117.

______. Selected Essays. New York: New Directions, 1969.

______. Selected Letters. Ed. John C. Thirlwall. New York: McDowell, Obolensky, 1957.

______. Spring and All. France, 1923; rpt. San Francisco: Frontier Press, 1970. In Imaginations, pp. 88-151.

______. “Synopsis of suggestions discussed and general agreements arrived at at meeting Sept. 24. Writers-Publishers to be incorporated.” Yale.

______. “3”. An “Objectivists” Anthology, pp. 174-175.

______. “To.” An “Qbjectivists” Anthology, pp. 178-179.

______. “To Mark Antony in Heaven.” An “Objectivists” Anthology, pp. 180-181.

______. A Voyage to Pagany. 1928; rpt. St. Clair Shores, MI: Scholarly Press, 1972.

______. “The Work of Gertrude Stein.” Pagany, 1, 1 (Winter 1930), 41-46. In Imaginations, pp. 344-351.

______. “The Writers Publishers, Inc.” June 1933. Yale.

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______. Personal interview. 8 June 1979. Port Jefferson, NY.

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______. “‘A’: First and Second Movements: ‘Come Ye Daughters’; Third and Fourth Movements: ‘Out of the voices’; Fifth and Sixth Movements: ‘And I’; Seventh Movement: ‘There are different techniques.’” An “Objectivists” Anthology, pp. 112-155.

______. “‘A’: Third and Fourth Movements: ‘out of the voices.’” New Review (May-June-July 1931), 83-88.

______. “‘A’: Seventh Movement: ‘There are different techniques.’Poetry (February 1931), 242-246.

______. “A”-8. New Directions in Prose and Poetry, 1938. 1938; rpt. New York: Kraus Reprint Corporation, 1967, pp. 93-149.

______. “A” 1-12. Ashland, MA: Origin Press, 1959. Rpt. Garden City, NY: Doubleday, 1967.

______. “Acknowledgments.” An “Objectivists” Anthology, p. 209.

______, trans. Albert Einstein: A Biographical Portrait. By Anton Reiser. New York: Albert and Charles Boni, 1930.

______. All: The Collected Short Poems 1923-1964. New York: Norton, 1971.

______. “American Poetry 1920-1930: A Sequel to M. Taupin’s Book, 1919-1920.” Symposium: A Critical Review, 2, 1 (January 1931), 60-84.

______. “Appendix.” An “Objectivists” Anthology, pp. 201-205.

______, and Celia Zukofsky. Autobiography. New York: Grossman, 1970.

______. “The Best Human Value.” Nation, 186, 22 (31 May 1958), 500-502.

______. “The Cantos of Ezra Pound (One section of a long Essay).” Criterion, 10, 40 (April 1931), 424-440.

______. “Charles Reznikoff: Sincerity and Objectification.” Autograph manuscript. 4 February 1930. Humanities Research Center, University of Texas at Austin.

______. “Constellation: In Memory of V. I. Ulianov.” Exile, 4 (Autumn 1928), 84-86. In Poetry Out of Wisconsin, pp. 312-313.

______. “Critique of Antheil: (Sunday Night, April 10, 1927, his Premiére in America).” Exile, 4 (Autumn 1928), 81-84.

______. “Ezra Pound’s XXX Cantos.” Front, 1, 4 (June 1931), 364-369.

______. 55 Poems. Prairie City, IL: Decker, 1941.

______. First Half of “A”-9. New York: Louis Zukofsky, 1940.

______. . “A foin lass bodders.” Paideuma (Winter 1978), 409-411.

______. “For a Thing by Bach.” Pagany, 1, 4 (October-December 1930), 23. In A Return to Pagany, p. 144.

______. “Four Poems (1926-1927): I. My watch!; II. A dying away as of trees; III. And human heart-beats; star-falling; engine-beats —; IV. (I WAIT FOR THE TRAIN).” Blues, 2, 8 (Spring 1930), 14-15.

______. A Further Note on XXX Cantos by Ezra Pound. Windsor Quarterly: Modern Literature, 1, 1 (Spring 1933), 88-94.

______. “Imagisme.” Rev. L’Influence. By René Taupin. New Review (May-June-July 1931), 160-161.

______. Interview with L. S. Dembo. Contemporary Literature (Spring 1969), 203-219. In The Contemporary Writer, pp. 216-232.

______. Interview with Richard O. Moore for National Education Television, USA: Poetry Series. Tape. San Francisco State Poetry Center.

______. Le Style Apollinaire. Trans. René Taupin. Paris: Les Presses Modernes, 1934.

______. Letter (to Burnshaw). Poetry (April 1931), 55-57.

______. Letter (to Schappes). Poetry, 42, 2 (May 1933), 117.

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______. Letter to Monroe. 14 October 1930. Poetry Papers, 1912-1936, Department of Special Collections, University of Chicago Library, box 41, folder 14.

______. Letter to Monroe. 18 November 1930. Poetry Papers, 1912-1936, Department of Special Collections, University of Chicago Library, box 41, folder 14.

______. Letter to Monroe. 15 December 1930. Poetry Papers, 1912-1936, Department of Special Collections, University of Chicago Library, box 41, folder 14.

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______. Letter to Pound, 20 March 1928. Yale. Pound/Zukofsky, pp. 9-10, No. 5.

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______. Letter to Pound, 27 June 1930. Yale.

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______. Letter to Pound, 13 October 1930. Montemora, 8 (1981), 165.

______. Letter to Pound, 16 October 1930. Yale.

______. Letter to Pound, 5 November 1930. Montemora, 8 (1981), 170-171.

______. Letter to Pound, 6 November 1930. Yale. Pound/Zukofsky, pp. 64-68, No. 29.

______. Letter to Pound, 9 November 1930. Yale. Pound/Zukofsky, pp. 69-73, No. 30.

______. Letter to Pound, 15 November 1930. Yale.

______. Letter to Pound, 17 November 1930. Yale.

______. Letter to Pound, 9 December 1930. Yale.

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______. Letter to Pound, 16 December 1930. Yale.

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______. Letter to Pound, 25 April 1931. Yale. Pound/Zukofsky, pp. 95-97, No. 38.

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______. Letter to Pound, 18 September 1931. Yale.

______. Letter to Pound, 12 October 1931. Yale. Pound/Zukofsky, pp. 99-101, No. 40.

______. Letter to Pound, 21 October 1931. Yale.

______. Letter to Pound, l5 October 1931. Yale.

______. Letter to Pound, 11 November 1931. Yale.

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______. Letter to Pound, 10 December 1931. Yale. Pound/Zukofsky, pp. 114-119, No. 44.

______. Letter to Pound, 14 December 1931. Yale. Pound/Zukofsky, pp. 119-122, No. 45.

______. Letter to Pound, 17 December 1931. Yale.

______. Letter to Pound, 7 January 1932. Yale.

______. Letter to Pound, 22 January 1932. Yale.

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______. Letter to Pound, 20 April 1932. Yale.

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______. Letter to Pound, 23 October 1933. Yale.

______. Letter to Pound, 16 November 1933. Yale.

______. Letter to Pound, 12 April 1934. Yale. Pound/Zukofsky, pp. 156-157, No. 63.

______. Letter to Pound, 23 May 1934. Yale. Pound/Zukofsky, pp. 159-160, No. 65.

______. Letter to Pound, 11 May 1935. Yale.

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______. Letter to Rakosi. 24 November 1930. Humanities Research Center, Univeristy of Texas at Austin.

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______. Letter to Rakosi. 7 October 1931. Humanities Research Center, University of Texas at Austin.

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______. Letter to Roskolenkier. 1 December 1930. Yale

______. Letter to Roskolenkier. 4 December 1930. Yale.

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______. Letter to Zabel. 19 February 1931. Zabel Papers. Poetry Papers, 1912-1936, Department of Special Collections, University of Chicago Library, folder III, box 27.

______. Letter to Zabel. 24 August 1931. Morton Zabel Papers, Department of Special Collections, University of Chicago Library, folder III, box 27.

______. Letter to Zabel. 29 December 1931. Morton Zabel Papers, Department of Special Collections, University of Chicago Library, folder III, box 27.

______. Little: for careenages. New York: Grossman, 1970.

______. “‘London or Troy?’ ‘Adest.’” Rev. Redimiculum Matellarum. By Basil Bunting . Poetry, 38, 3 (June 1931), 160-162.

______. “Madison, Wis., Remembering the bloom of Monticello (1913). Contact (Second Series), 1, 1 (February 1932), 41-42. In An “Objectivists” Anthology, pp. 184-185. In Modern Things, p. 75. In Poetry Out of Wisconsin, pp; 311-312.

______. “Mr. Cummings and the Delectable Mountains.” Exile, 4 (Autumn 1928), 75-78.

______. “Notes.” Poetry (February 1931), 295.

______, ed. An “Objectivists” Anthology, France, 1932; rpt. New York: Folcroft Library Editions, 1975.

______. “Poems: I (Spinoza in a Winter Season); II [‘September among the headstones’].” Criterion, 8, 32 (April 1929), 420-421.

______, ed. Poetry, 37, 5 (February 1931), 231-295.

______. “A Preface.” Exile, 4 (Autumn 1928), 86-88.

______. “Preface—1927.” Exile, 4 (Autumn 1928), 78-80.

______. Prepositions: The Collected Critical Essays, Expanded Edition. Berkeley: University of California Press, 1981.

______. “Program: ‘Objectivists’ 1931.” Poetry (February 1931), 268-272.

______. “Prop. LXI (The Strength of the Emotions—Ethical ordine geometrico demonstrata: IV).” An “Objectivists” Anthology, p. 184.

______. “‘Recencies’ in Poetry.” An “Objectivists” Anthology, pp. 9-25.

______. Reply to Mr. Schappes. 3 March 1933. Poetry Papers, 1912-1936, Department of Special Collections, University of Chicago Library, box 41, folder 14.

______. “Sincerity and Objectification: With Special Reference to the Work of Charles Reznikoff .” Poetry (February 1931), 272-285.

______. Le Style Apollinaire. Trans. René Taupin. Paris: Les Presses Modernes, 1934.

______, trans. “Three Poems by André Salmon: I.” By René Taupin. Poetry (February 1931), 289-293.

______, trans. “Three Poems by André Salmon.” By René Taupin. Poetry (March 1931), 333-339.

______, and Roger Kaigh. “University: Old-Time.” By Joyce Hopkins (pseudonym). Poetry (February 1931), 251.

______, and René Taupin. “The Writing of Guillaume Apollinaire: Le Flaneur; I-IL Y A.” Westminster Magazine, 22, 4 (Winter 1933) 9-47.

______, and René Taupin. “The Writing of Guillaume Apollinaire: II—Le Poète Ressuscite; III—& Cie.” Westminster Magazine, 23, 1 (Spring 1934), 7-46.