About this book

I wonder whether I have thought too much about mortality, or too little. Americans, it seems, prefer to cover up anything that’s dead, to hide it from the children, and then, it seems, with respect to death, we stay like children.

Years ago, after my wife and I retired, our financial advisor told us that, in our plan, she was killing us off at age of 90. My response was a desire to beat the actuarial tables and cheat the annuity companies.

I don’t want to die, but I don’t want to suffer without enjoying life, or to be a burden on anyone else. Aye, there’s the rub.

My main concern has been what happens to the things we have made and collected, our books and records, our paintings and grandmother’s lamp. I feel that people who get rid of their worldly possessions as they approach the end of their lives are denying themselves, treating life as though it weren’t meant to be treasured. I just don’t know what a mature attitude would be. I have no idea; I’m still trying to figure it out.

The cover features my illustration of a old label of carbolic acid, with a skull and crossbones, as it appears, somewhat crazed.

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The poet

Tom Sharp, self portrait

Tom Sharp is a Native American of Aleut heritage, a member of Seldovia Village Tribe. He is the author of numerous books, including Spectacles: A Sampler of Poems and Prose, Taurean Horn Press (ISBN 0-931552-10-9), a novel, Hans and the Clock (ISBN 979-8580172484), The book of science, SciFi (ISBN 979-8694935210), Things People Do (ISBN 979-8687425568), The book of beliefs (ISBN 979-8683553593), The I Ching (ISBN 979-8573510620), Images (ISBN 979-8577560515), Aleut Artifacts (ISBN 979-8575608998), Aleut Words (ISBN 979-8582103394), and First Nations (ISBN 979-8682924769).

You may email tom/AT/liztomsharp/DOT/-c-o-m-/ to share comments on this work.

Tom Sharp’s initials