|Pythagoras, Vincenzo Galilei, Marin Mersenne acoustics|
Pythagoras understood the first law of vibrating strings— pitch is inversely proportional to the length of the string. Pythagoras also knew that the series of harmonic overtones were related to the series of whole-number multiples. Moving right along, it turned out that musicians knew how to tune their lutes without Pythagoras. Galileo’s father, Vincenzo, a musician, certainly realized that pitch also depends on how tight and how thick the string is. He was the first to describe a natural phenomenon using a non-linear mathematical equation. Specifically, he added the second law of vibrating strings— pitch is proportional to the square root of the tension. Finally, Marin Mersenne added the third law— pitch is inversely proportional to the square root of the heaviness of the string.
Vitruvius wrote a treatise on the acoustics of theaters, recognizing that sound is a three-dimensional equivalent of waves on a water’s surface. Vincenzo Galilei, in addition to explaining the second law, noted that pitch depends on the properties of the space the string vibrates in. Galileo Galilei said, “Waves are produced by the vibrations of a sonorous body, which spread through the air, bringing to the tympanum of the ear a stimulus which the mind interprets as sound.” Isaac Newton’s inverse-square law applies to sound as well as gravity. In Principia Mathematica, Newton also derived the relationship for wave velocity in solids.
I can hear you in this restaurant but I don’t know what you’re saying. A great roar arises from little mouths talking louder to be heard over the roar. We vibrate our vocal chords which vibrate air in each other’s direction but our lips are a better indicator of our accord.